• Lighting
  • 3 x Tobias Rahim
  • Huset
  • Schulstad x Tobias Rahim
  • Copenhagen Cowboy
  • Drew Sycamore - 45 Fahrenheit
  • Lukas Graham - Happy For You
  • Virgin Miri - Only God Forgives
  • DR LYD
  • Blå Bog For Evigt
  • Drømmedykker
  • Tobias Rahim - Mucki Bar
  • Pøllehullet
  • Dejah Makar - Bratty
  • Darling
  • Skinz & Emil Stabil - Lighter
  • En værdig mand
  • Dannebros - Gør Det Selv
  • En Flirt
  • Benal - Lampeskærm
  • Specktors - Hus
  • Sprinter Galore
  • Knæler
  • Oda Omvendt
  • Bleed
  • Bølger
  • Himlens port er til venstre
  • Uffe
  • Fouli - Balmain
  • Photography
  • Dausimo
  • Portraits
  • Blå Bog For Evigt
  • Nepal
  • Kulturhavn365
  • Jordan & Palestine
  • Nationalpark Mols Bjerge
  • Roskilde Festival Graffiti
  • Neon Nights
  • Sri Lanka
  • Aarhus Art Convention
  • Jewelry
  • Copenhagen
Resume
Contact
Christian Birkebæk
  • Lighting
  • 3 x Tobias Rahim
  • Huset
  • Schulstad x Tobias Rahim
  • Copenhagen Cowboy
  • Drew Sycamore - 45 Fahrenheit
  • Lukas Graham - Happy For You
  • Virgin Miri - Only God Forgives
  • DR LYD
  • Blå Bog For Evigt
  • Drømmedykker
  • Tobias Rahim - Mucki Bar
  • Pøllehullet
  • Dejah Makar - Bratty
  • Darling
  • Skinz & Emil Stabil - Lighter
  • En værdig mand
  • Dannebros - Gør Det Selv
  • En Flirt
  • Benal - Lampeskærm
  • Specktors - Hus
  • Sprinter Galore
  • Knæler
  • Oda Omvendt
  • Bleed
  • Bølger
  • Himlens port er til venstre
  • Uffe
  • Fouli - Balmain
  • Photography
  • Dausimo
  • Portraits
  • Blå Bog For Evigt
  • Nepal
  • Kulturhavn365
  • Jordan & Palestine
  • Nationalpark Mols Bjerge
  • Roskilde Festival Graffiti
  • Neon Nights
  • Sri Lanka
  • Aarhus Art Convention
  • Jewelry
  • Copenhagen
Resume
Contact

Ilden inde i mig

Director: Simon Bang Carlsen
Producer: Alice Hüllert & Elvira Gjerlev
Director of Photography: Christian Birkebæk
Production Design: Christina Søs Eng
Worked as the Director of Photography on this period drama, set in the 18th century.
The whole film is lit with natural light. Shot on a SONY FS7 with a Speed Booster and Canon Prime Lences.
Some of the nightscenes are shot on a Sony Alpha A7.
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